Based on the best-selling book by award-winning writer Simon Garfield, four stories from Britain's 'lost decade' (1945 - 1955) are presented from the diaries of four very distinct people. In his book, Garfield selected some of the most expressive diarists, and focused on the post-war years giving a vivid portrait of how Britain coped in the post-war years and how little, or how much, attitudes have changed over the past 60 years. The stories touch on homosexuality, single women making their way in life post-war and a housewife handling the less than welcome return of her husband.

A young cameraman receives a letter from an old girlfriend, announcing that she is to hold a photo exhibition in the United States. Having heard rumors that she has died, he follows his curiosity to New York City.

A traumatized man is convinced someone is trying to poison him, so his skeptical wife forces him to face his fears head on with exposure therapy.

A traumatized man is convinced someone is trying to poison him, so his skeptical wife forces him to face his fears head on with exposure therapy.

A photographer returns to her hometown after the death of her best friend, only to discover the hidden secrets of their relationship and the truth of the tragedy.

Rachel is desperate to be seen. Not the way her terminally ill father sees her, and not the way her Church Support Group sees her. Not even the way her mentor, Kathy sees her. Really seen. Newly sober and ready to start her life again, Rachel (Caroline Levien) finds herself back with her father, Glen (Nicholas Hope) and languishing in the role of his primary carer. Lonely and overlooked, Rachel turns to her online persona, 'J@de' and the world of chat-room camming as a place to see and be seen. But Rachel's escapism cannot keep the real world at bay forever. As Glen's illness deteriorates, Rachel's online identity pushes up against her own, bringing her face to face with the ultimate act of exposure.

Exposure is a short-film oriented science-fiction anthology series that aired on the Sci-Fi Channel between the years of 2000 and 2002. The series showcased the short sci-fi films of both unknown and known filmmakers, giving rise to the channel's own Exposure Studios. Hosted by actress Lisa Marie, the films presented a wide range of science fiction subject matter. The series received poor ratings and was canceled in the fall of 2002. The series was originally shown on Sundays at 10:00pm EST and was repeated the following Saturday at 2:00am EST, later on the time was changed to 11:00pm EST and still repeated the following Saturday well after Midnight, which probably is a major reason for the poor ratings this show received. The series also had two guest hosts. Terry Farrell would host the "Best of Season One" episode and director Kevin Smith hosted the "Star Wars Short Films Showcase".

The Time of Our Lives follows the lives of the extended Tivolli family as they navigate their way around relationships, raising kids, love, careers, divorce, disability and finding happiness. Elder brother Matt is a high-flying sports agent struggling with his obsessive wife Caroline. Younger brother Luce runs a much more relaxed household with long-time partner Bernadette, despite a chaotic schedule and financial pressures. Chai Li, the youngest, was adopted from Vietnam as a baby and is a successful and happy thirty-something until her world is shattered by a humiliating turn of events. Herb has known the family since childhood.

To fight the first signs of dementia, the same illness that took the life of his beloved wife, 71-years old Kenji joins the Long and Healthy Life Club, where he befriends the eccentric Mr Hashimoto. His biggest fear is becoming a burden to others, while Hashimoto struggles to come to terms with his failing body. In their quest to stay healthy, they decide to take a swimming class where they meet Kaori, a once-professional athlete turned swimming teacher. Like Kenji, Kaori struggles with the fact that she’s past her peak, but through the swimming lessons, they both find a new perspective on life.

Nastja Säde Rönkkö recites one poem with three narrators: a teardrop, a droplet of blood and a bead of sweat. Each tells love stories through biochemistry – about love, belonging and loss, and about crises lived and impending. The words are vivid but not enough, supercharged here by hyperreal images of landscapes both physical and emotional, and the fluids expressing and crystallising them.